The Analysis of the Hunting Field

The Volume is in Very Good Condition Bound in pebbled red cloth, with gilt stamp-work on the front board and spine, blind rules, and with leaf edges gilt. Externally the boards and spine are lightly scuffed and moderately stained, with repairs to the tail of the spine. Internally the leaves are generally clean and amply margined, with some moderate foxing on occasion, with moderate toning on occasion. The volume has been expertly re-cased with new endpapers.

The volume measures about 25 cm. By 16.5 cm. By 3 cm. Each leaf measures about 240 mm. By 150 mm.

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Of The Hunting Field

Tooley, English Books with Coloured Prints, p375. ” There are two issues, First issue in green cloth with both titles and the preface dated 1846. Second issue in red cloth, with the preface dated 1846 but usually 1847. Some copies have both the prefaces, the cancel of 1846 and the 1847. Issued with gilt edges and ungilted edges, the former being superior.” (Our Copy).

Robert Smith Surtees was an English editor, novelist and sporting writer, widely known as R. S. Surtees. In 1825 he began contributing to the Sporting Magazine, before launching out on his own with the New Sporting Magazine in 1831, contributing the comic papers which appeared as Jorrocks’ Jaunts and Jollities in 1838. Jorrocks, the sporting cockney grocer, with his vulgarity and good-natured artfulness, was a great success with the public, and Surtees produced more Jorrocks novels in the same vein, notably Handley Cross and Hillingdon Hall, where the description of the house is very reminiscent of Hamsterley. Another hero, Soapey Sponge, appears in Mr Sponge’s Sporting Tour, possibly Surtees best work. All Surtees’ novels were composed at Hamsterley Hall, where he wrote standing up at a desk, like Victor Hugo.In 1835, Surtees abandoned his legal practice and after inheriting Hamsterley Hall in 1838, devoted himself to hunting and shooting, meanwhile writing anonymously for his own pleasure. He was a friend and admirer of the great hunting man Ralph Lambton, who had his headquarters at Sedgefield County Durham, the ‘Melton of the North’. Surtees became Lord High Sheriff of Durham in 1856. He died in Brighton in 1864, and was buried in Ebchester church. Though Surtees did not set his novels in any readily identifiable locality, he uses North East place-names like Sheepwash, Howell (How) Burn, and Winford Rig. His memorable Geordie James Pigg, in Handley Cross, is based on Joe Kirk, a Slaley huntsman. The famous incident, illustrated by Leech, when Pigg jumps into the melon frame was inspired by a similar episode involving Kirk in Corbridge. As a creator of comic personalities, Surtees is still readable today. Thackeray envied him his powers of observation, while William Morris considered him “a master of life” and ranked him with Dickens. The novels are engaging and vigorous, and abound with sharp social observation, with a keener eye than Dickens for the natural world. Perhaps Surtees most resembles the Dickens of Pickwick Papers, which was originally intended as mere supporting matter for a series of sporting illustrations to rival Jorrocks.

Henry Thomas Alken was an English painter and engraver chiefly known as a caricaturist and illustrator of sporting subjects and coaching scenes. His most prolific period of painting and drawing occurred between 1816 and 1831. Alken worked in both oil and watercolor and was a skilled etcher. His earliest productions were published anonymously under the signature of “Ben Tallyho”, but in 1816 he issued The Beauties & Defects in the Figure of the Horse comparatively delineated under his own name. From this date until about 1831, he produced many sets of etchings of sporting subjects mostly coloured and sometimes humorous in character, the principal of which were: Humorous Specimens of Riding 1821, Symptoms of being amazed 1822, Symptoms of being amused 1822, Flowers from Nature 1823, A Touch at the Fine Arts 1824, and Ideas 1830. Besides these he published a series of books: Illustrations for Landscape Scenery and Scraps from the Sketch Book of Henry Alken in 1823, New Sketch Book in 1824, Sporting Scrap Book and Shakespeare’s Seven Ages in 1827, Sporting Sketches and in 1831 Illustrations to Popular Songs and Illustrations of Don Quixote, the latter engraved by John Christian Zeitter.

Alken provided the plates picturing hunting, coaching, racing and steeplechasing for The National Sports of Great Britain (London, 1821). Alken, known as an avid sportsman,is best remembered for his hunting prints, many of which he engraved himself until the late 1830s. (Charles Lane British Racing Prints pp. 75–76). He created prints for the leading sporting printsellers such as S. and J. Fuller, Thomas McLean, and Rudolph Ackermann, and often collaborated with his friend the sporting journalist Charles James Apperley (1779–1843), also known as Nimrod. Nimrod’s Life of a Sportsman, with 32 etchings by Alken, was published by Ackermann in 1842. In many of his etchings, Alken explored the comic side of riding and satirized the foibles of aristocrats, much in the tradition of other early 19th century.